The
elements of the body design had to be integrated into the headstock and
after Craig sketched this idea onto a paper napkin, he presented it to
me, and this is
the end result I produced--being careful to maintain "straight string
pull".
I used an oil
finish on this baby, and it really works wonders for all of the woods
used--the wenge fingerboard, the zebra wood, the bubinga back, and the
wenge
sandwiched between the body and the neck laminations. Craig opted for a
Seymour Duncan MusicMan pickup with an active Duncan EQ STC-3M3
control system, and
this baby sings with power and clarity! The solid Schaller bridge was
also an ideal
choice and has long been a favourite of mine.
Simple, clean and threatening--look out!
African Bubinga--Tough and...well, Gorgeous!
A 34" scale "Demon Slaying" weapon!
Bill's Comments:
This bass really grew on me, although at
first I thought it was pretty wild
(what do I know?). Fact of the matter is, it was well thought by Craig,
and fun to build,
despite the hard work needed to coax the shapes out of the incredibly
tough bubinga wood. Coupled with the wenge, this was a bass
that fought to get out from start to finish!
Regardless, I love the end result, and I was surprised by the comfort
and the
depth of tones this bass produced. It just goes to show you, you never
know what to
expect, and great inspiration produces great results at every level--My
congratulations to
Craig, and my gratitude for having being part of the process
in making this dream come to life!
Notes: Seymour
Duncan & Schaller are registered trade names of the
manufacturers
& are
not affiliated with Wilkat Guitars in any way.